The Viking
Mar 05 1931
•1h 10m
•Action, Drama, Romance, Adventure
Originally called White Thunder, American producer Varick Frissell's 1931 film was inspired by his love for the Canadian Arctic Circle. Set in a beautifully black-and-white filmed Newfoundland, it is the story of a rivalry between two seal hunters that plays out on the ice floes during a hunt. Unsatisfied with the first cut, Frissell arranged for the crew to accompany an actual Newfoundland seal hunt on The SS Viking, on which an explosion of dynamite (carried regularly at the time on Arctic ships to combat ice jams) killed many members of the crew, including Frissell. The film was renamed in honor of the dead.
Cast
See all
Charles Starrett
Luke Oarum
Louise Huntington
Mary Joe
Arthur Vinton
Jed Nelson
Bob Bartlett
Captain Barker (as Captain Bob Bartlett)
Recommendations
See all
The Kiss in the Tunnel
Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.
Kiss Me Deadly
One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.
1
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Like Someone in Love
An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.