Be Here Soon

Be Here Soon

8.5

Jul 08 2022

1h 43m

Music

The fourth audiovisual installment in the iamamiwhoami project by Swedish singer-songwriter Jonna Lee and producer Claes Björklund.

Jonna Lee

Jonna Lee

Claes Björklund

Claes Björklund

Matilda Bilberg

Matilda Bilberg

Dancing wolf

Katti Von Sparr

Katti Von Sparr

K-Bird

Recommendations

See all
To Build a Fire
7.0

To Build a Fire

2016

To celebrate Jack London's 100th death anniversary, director Fx Goby adapted his famous novel, "To Build a Fire", tragic tale of a trapper and his dog in the freezing Yukon, into an animated short film.

Everyone Afraid to Be Forgotten
10.0

Everyone Afraid to Be Forgotten

2018

Swedish singer, songwriter, producer and filmmaker, Jonna Lee, brings the evolution of her ten-year creative career to a new peak with the release of her maiden ionnalee offering, EVERYONE AFRAID TO BE FORGOTTEN.

Return to Rajapur
6.8

Return to Rajapur

2006

A doomed love affair blooms against the beautiful and exotic backdrop of the deserts of India in this romantic drama. Samantha Hartley (Kelli Garner) is a woman in her early twenties who travels to Rajapur in India to visit a resort where her mother stayed years ago. While tracing the steps of her mother, Sara (Lynn Collins), Samantha learns the true story about her mother's stormy marriage to Jeremy (Justin Theroux), a charming but moody alcoholic. Only a few days after their wedding, Sara began to wonder if marrying Jeremy was a mistake, and while visiting India on their honeymoon, Sara met Jai Singh (Manoj Bajpai), a handsome and sensitive widower living in Rajapur. Jai Singh, who speaks fluent English, soon strikes up a friendship with Sara that quickly grows into a romance, but both are aware of the transgressive nature of their love, and their affair takes a tragic turn, leaving its scars on all parties involved.

Film
7.2

Film

2012

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri