Hey, Hey, It's the Monkees
Feb 17 1997
•1h 46m
•Comedy, Music
Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.
Cast
See all
Michael Nesmith
Mike
Davy Jones
Davy
Micky Dolenz
Micky
Peter Tork
Peter
Recommendations
See all
33 ⅓ Revolutions per Monkee
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Beautifully Maintained and Well Located
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
Ghost Rider 3 Goes Crazy in Europe
With the Swedish police on his tail the Ghost Rider takes to the streets for another insane mission. Reaching speeds of at 200mph, the authorities have little hope of catching him. Over three hours of pure adrenaline!
Mist
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.